Sabtu, 29 Mei 2010

[F684.Ebook] PDF Ebook Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Douglas Holt, Douglas Cameron

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Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Douglas Holt, Douglas Cameron

Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Douglas Holt, Douglas Cameron



Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Douglas Holt, Douglas Cameron

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Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Douglas Holt, Douglas Cameron

How do we explain the breakthrough market success of businesses like Nike, Starbucks, Ben & Jerry's, and Jack Daniel's? Conventional models of strategy and innovation simply don't work. The most influential ideas on innovation are shaped by the worldview of engineers and economists - build a better mousetrap and the world will take notice. Holt and Cameron challenge this conventional wisdom and take an entirely different approach: champion a better ideology and the world will take notice as well. Holt and Cameron build a powerful new theory of cultural innovation. Brands in mature categories get locked into a form of cultural mimicry, what the authors call a cultural orthodoxy. Historical changes in society create demand for new culture - ideological opportunities that upend this orthodoxy. Cultural innovations repurpose cultural content lurking in subcultures to respond to this emerging demand, leapfrogging entrenched incumbents.

Cultural Strategy guides managers and entrepreneurs on how to leverage ideological opportunities:

- How managers can use culture to out-innovate their competitors
- How entrepreneurs can identify new market opportunities that big companies miss
- How underfunded challengers can win against category Goliaths
- How technology businesses can avoid commoditization
- How social entrepreneurs can develop businesses that appeal to more than just fellow activists
- How subcultural brands can break out of the 'cultural chasm' to mass market success
- How global brands can pursue cross-cultural strategies to succeed in local markets
- How organizations can maximize their innovation capabilities by avoiding the brand bureaucracy trap

Written by leading authorities on branding in the world today, along with one of the advertising industry's leading visionaries, Cultural Strategy transforms what has always been treated as the "intuitive" side of market innovation into a systematic strategic discipline.

  • Sales Rank: #280167 in Books
  • Published on: 2010-12-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.10" w x 9.30" l, 1.62 pounds
  • Binding: Hardcover
  • 408 pages

Review

"May well be one of the most important books on advertising and branding in the past ten years."--Richard Huntington, Adliterate.com


About the Author

Douglas Holt was Professor of Marketing at both the Harvard Business School and the University of Oxford. He is now President of the Cultural Strategy Group, a consulting firm that provides brand strategy and innovation solutions using the cultural strategy framework. He is a leading expert on brand strategy, having established cultural branding as an important new strategy tool in his best-selling book How Brands Become Icons: The Principles of Cultural Branding. He has developed cultural strategies for a wide range of brands, including
Coca-Cola, Microsoft, Ben & Jerry's, Sprite, Jack Daniel's, MINI, MasterCard, Fat Tire beer, Qdoba, Georgia Coffee, Planet Green, and Mike's Hard Lemonade, along with a number of non-profit organizations. He holds degrees from Stanford, the University of Chicago, and Northwestern, and is the editor of the Journal of Consumer Culture. He has been invited to give talks at universities and management seminars worldwide, including the Global Economic Forum in Davos

Douglas Cameron is Co-Founder and Chief Strategy Officer for Amalgamated, an influential non-traditional advertising agency known for developing content across multiple media platforms. He has developed brand strategies and campaign ideas for a wide range of clients, including Ben & Jerry's, Clearblue, Coca-Cola, Fat Tire beer, FOX Sports, Freelancers Union, Fuse Music Television, Mike's Hard Lemonade, Sprite, and Svedka vodka. He began his career at Cliff Freeman & Partners, the most lauded creative shop of its time. He entered the world of marketing inadvertently: travelling the world as a bagpiper, he was invited by David Ogilvy to perform at his French castle. Ogilvy insisted he take up advertising. He graduated from Dartmouth College, where he received the English department's top graduating honour.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Refreshingly Irreverant
By C. Sullivan
Liked this book very much. The irreverence and polemic were refreshing. Holt and Cameron practice what they preach, and don't pull punches. The ideas and thinking are solid. The cases are excellent. After reading I recommended to friends at ad agencies, many of whom no doubt face H & C's `brand bureaucracy'.

Style-wise, `Cultural Strategy' found a nice niche between scholarship and practice. I liked this approach. But if you prefer 1-2-3 books on brand and strategy, don't buy the book. You're going to get Max Weber and terms like `mimetic isomorphism' just as much you get stories on brands like Nike, Levi's, Vitamin Water and Fat Tire. I liked the combination, others might not.

As someone in strategy, I do have some beef with Holt and Cameron's stance against utility, or what they refer to as `mousetrap' thinking. They take the constructivist line of thinking too far, and it diminishes their argument. They need a foil, but of all their polemics this one feels more rhetorical than substantive. Ideally, value creation and cultural innovation work together. If subjectivity were all that mattered we wouldn't be in this recession. H & C have written particular kinds of cases-- products fighting it out in mature markets with homogeneous offerings. In these situations i think they're argument holds up better. In emerging markets where the there is still a great deal of diversity in offerings, i'm not as sure. The one outlier here is the freelancer's union case, which was quite good.

But on all other accounts, this book furthered my thinking. Even if you don't agree with the authors, they'll engage you. I'd read it.

6 of 7 people found the following review helpful.
An Important But Incomplete Beginning To Developing Full Cultural Strategy
By Jonathan Cook
Cultural Strategy, by Douglas Cameron and Douglas Holt, was a simultaneously exciting and frustrating read for me. It is an important book in that it provides a specific model for integrating the power of culture into marketing strategy. It's a milestone that the authors go beyond the generic advice to simply "pay attention to culture" that most business books provide. The authors clearly have working experience in this area, and are able to provide compelling narratives to justify the application of their cultural strategy model.

The weakness of this book, however, is a consequence of it being one of the first of its kind. The model of cultural strategy that it offers is better than what most marketers currently use, but it's much thinner than it could be.

For one thing, the authors' model of culture is rather sparse, in comparison to what most cultural anthropologists might describe. Holt and Cameron content themselves with understanding culture as mere ideology - as ideas that are shared and motivate. Culture is much more than that. It's especially important for people in business to work with culture as something embodied. Culture isn't just the communication of ideas. Culture is in physical objects we possess, and the behavior we engage in with those objects. These aspects of cultural strategy are largely missing from Holt and Cameron's model. The authors briefly mention ritual here and there, but they never explain what they mean by it, much less how to use ritual in business. This oversight leads to a rather narrow scope of recommende application. Holt and Cameron focus mostly on advertising as a tool of cultural strategy, but advertising holds a rapidly diminishing portion of the marketer's toolbox.

The book is thick with examples, perhaps a bit over thick, to compensate for the relatively sparse principles for cultural strategy that the authors provide. People who have read other work by Douglas Holt will recognize much that has been recycled for use here. The heavy reliance on examples gives the impression that cultural strategy mostly involves having a team of savvy and perceptive people who will notice cultural trends before the competition. Indeed, at the end of the book, the authors make an unfortunate descent into design thinking, suggesting that "cultural studios" can simply start off sloppy, and then go through iterative cycles of testing and refinement until they hit on a strategy that takes advantage of a cultural disruption.

Some broader principles of culture could improve this fumbling approach, but Holt and Cameron are resistant to such principles, viewing them as tools that stiff "brand bureaucracies" use to defend their falwed ideologies. There's some truth to that, but a smarter strategy could involve using principles of culture to establish more sustainable, less ideosyncratic processes of anti-bureaucratic innovation.

A final shortcoming of this book is that the authors don't seriously treat other methodologies that could be incorporated into a bigger, more effective system of cultural strategy in business. Holt and Cameron acknowledge only the most superficial versions of emotional mindshare strategy, for example, when there are in fact a growing number of research firms using extremely deep qualitative methodologies to illuminate complex and beautiful systems of emotional significance. When the authors of this book reduce such research to catchphrases, they accurately describe what corporate bureaucracies can do TO the results of such research, but the solution to this probem is to improve translation of research results into corporate action, not to abandon the research entirely.

I've focused on the gaps and flaws in Cultural Strategy in this review, but encourage people working to develop culturally-informed methods in business to read this book nonetheless. It is to be expected that any book seeking to introduce concepts of culture into business will be partial and problematic at this point. The serious treatment of culture as a source for management and marketing has barely begun, and Holt and Cameron are to be applauded for this effort to provide the qualitative side of commerce more of the attention that it deserves.

5 of 6 people found the following review helpful.
Essential reading for academics, entrepreneurs, and F500 managers
By William Ko
This outstanding work underscores the importance of incorporating culture into marketing initiatives to drive sales growth and market share. Citing Weber's theory of bureaucratization in Economics and Society, Holt argues convincingly that leading firms have sacrificed marketing innovation for ineffective brand management based on standardization, superfluous scientific methodology, and dehumanization of the consumer products/services and the markets that they ultimately serve. Controversially, but supported with strong empircal examples, Holt asserts that the epistemic proclivities of establishing marketing as a 'faux science' has resulted in stagnant 'mousetrap' strategies that result in minimal gains in growth.

Supported by case-studies of both successful and unsuccessful marketing initiatives, Cultural Strategy is essential reading for academics, entrepreneurs and F500 management seeking iconoclastic reconceptualizations of the consumer goods landscape.

I suspect, however, that the prevailing path dependencies and perceptions of 'brand strategy' among leading firms in industry today will inhibit Holt's central thesis from attaining wide-scale practice. But perhaps as a greater number of agile entrepreneurs leverage 'cultural strategy' to win a greater share of blue ocean opportunities, the aforementioned market-leading firms will be compelled to take notice.

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Minggu, 23 Mei 2010

[F274.Ebook] Download Ebook What Is Religion: An Introduction, by John F. Haught

Download Ebook What Is Religion: An Introduction, by John F. Haught

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What Is Religion: An Introduction, by John F. Haught

What Is Religion: An Introduction, by John F. Haught



What Is Religion: An Introduction, by John F. Haught

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What Is Religion: An Introduction, by John F. Haught

Attempts to uncover what it is that religions have in common--the archetypal human need to find meaningful routes through life and to stay in touch with their spiritual potential.

  • Sales Rank: #673467 in Books
  • Published on: 1990-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.01" h x .77" w x 6.01" l, .86 pounds
  • Binding: Paperback
  • 288 pages

From Library Journal
With an ecumenical sensitivity, Haught examines those elements common to the major religions and to religion generally. In language accessible to the lay reader, Haught first looks at the many ways in which religion has manifested itself by considering what he perceives as the four key elements of all religions: sacramentalism, mysticism, silence, and activism. He then discusses the value of religion and also considers the aims of religion, which he sees as reassurance, mystery, adventure, and morality, and the various challenges to religion: secularism, skepticism, and nihilism. Haught is familiar enough with all the major traditions so that he is able to make cogent comparisons, offering a good deal of basic information.
-Augustine J. Curley, Newark Abbey,
Copyright 1989 Reed Business Information, Inc.

About the Author
John F. Haught is Distinguished Research Professor of Theology at Georgetown University. His area of specialization is systematic theology with particular interest in issues pertaining to science, evolution and religion.

Most helpful customer reviews

8 of 11 people found the following review helpful.
Too Speculative for Intro Text
By Reader From Aurora
In "What is Religion" John Haught examines religion from a liberal socio-cultural perspective. I offer the following thoughts for potential readers. Haught is a capable writer - the text is generally well laid-out and quite readable. The book is divided into three primary segments:

- An introduction and brief overview of what he considers to be the primary approaches to religion: primitive, Hinduism, Buddhism and prophetic (Judaism, Christianity and Islam);
- An examination of different types of religious behaviors: silence, mysticism, sacramentalism and action; and.
- A discussion of some of the modern challenges to a religious worldview.

The work appears to be aimed as an introductory text in a religious studies class or comparative religion course. Haught approaches religion from a socio-cultural perspective. The crucial assumption to this tact is that religious beliefs are adaptive evolutionary developments rather than outlooks that possess any inherent truth value. In accordance with this view religion is "true" because we believe it, rather than believing it because it is true. This is certainly a legitimate approach to the history of religion and is quite common amongst nineteenth and early twentieth century commentators within the field of comparative religion.

I found the discussion of religious behavior to be particularly well handled and helpful. Given that the work is intended as an introductory text, however, some qualifying comments at the outset are warranted to identify assumptions and indicate that there are opposing views. Without this type of clarification some of his comments are misleading - Haught is prone to making highly speculative statements without the slightest equivocation or justification. For example, he makes several declarative statements regarding the supposed origins and evolutionary development of religious belief. Though his thesis in this regard is consistent with his worldview it is pure speculation. When all is said and done there is an absence of historic evidence in this regard and we have just don't know a great deal on this topic. In addition to this type of conjecture he often contradicts existing evidence and scholarly opinion without the slightest qualification. For instance, he claims that Judaism was not a clearly monotheistic religion prior to about 500 B.C.E! This opinion is on the fringe of contemporary scholarship. I am not saying that he shouldn't speculate (some of it is quite interesting) just that he should note that these are controversial - a couple of footnotes would suffice.

I agree with the author that there are underlying similarities between the different traditions - e.g. risk of over attachment to the material world. I think, however, that he takes Ecumenicalism too far, seeing agreement where it does not exist, and glossing over many significant differences between the faith traditions.

Overall Haught is not without skill as a writer and with some largely stylistic changes this would not be a bad introductory-level text. As it is, however, the text is too much of a fringe work to be of much help to its intended audience.

2 of 4 people found the following review helpful.
Not a beginners text...
By Jenn RW
This is a wonderfully detailed and intense look at Religion.
However, you need to read and study the book before you are
actually ready to read and understand this book!!

Not a beginers book, but an intense journey through the
expressions, pathways, aims and critiques of Religion.
The author sets this book up to merge different points
together to understand the parts of religion and how
they work together to create the terms of a religion.

A wonderful book!!

1 of 3 people found the following review helpful.
Coherent, Readable Introduction To Religions
By Vance
This was an articulate and easy to understand discourses of comparative religions with deeper insights. Provided clear summaries of religious thought, clearly intended for the lay person.

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Sabtu, 22 Mei 2010

[T140.Ebook] Ebook Robota, by Doug Chiang, Orson Scott Card

Ebook Robota, by Doug Chiang, Orson Scott Card

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Robota, by Doug Chiang, Orson Scott Card

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Robota, by Doug Chiang, Orson Scott Card

A captivating tale of action, romance, and betrayal, Robota features breathtaking illustrations that add a cinematic scope to every page. Orson Scott Card, author of the award-winning bestseller Ender's Game, collaborated with artist Doug Chiang on the story and wrote the narrative for this visionary work. This edition includes additional, never-before-seen art that Chiang developed for a prospective Robota film. Plus, Gareth Edwards, the director of both Godzilla (2014) and the upcoming Rogue One: A Star Wars Story, provides a new Preface.
An elaborate study in world-building that traces a human's journey through a preindustrial civilization, Robota explores the relationship between nature and technology. The hero, Caps, awakens with amnesia in a fantastic world of dinosaurs and talking animals — a land of enchantment dominated by giant robots and their sadistic general, Kaantur-Set, who is bent on human genocide. With the help of Juomes, a yeti-like hunter-beast, Caps must battle the tyrannical robots and rediscover his true identity.

  • Sales Rank: #5117506 in Books
  • Published on: 2016-11-16
  • Released on: 2016-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.98" h x .71" w x 8.23" l, .50 pounds
  • Binding: Paperback
  • 224 pages

From Booklist
This is not an ordinary sf novel, nor a graphic novel, nor a conventional illustrated novel. Chiang, design director for the most recent Star Wars films, paints like a scion of N. C. Wyeth, Vincent Di Fate, Maxfield Parrish, and Arthur Rackham. Muscular heroes and monsters, dramatic angles and deep foci, glowing color, and wraithlike figures of malevolence are everywhere in his visual complements to a story that he invented and then asked Card, one of the best and most honored contemporary sf and fantasy authors, to write down. That story--of a world that alien robots, once allies of the planet's human natives, are striving to purge of all carbon-based life, only to be thwarted by a "reborn" human champion--resembles the Star Wars saga in being a myth of restoration, of getting an old dream (liberty and cooperation?) back on track. Also like Star Wars, it succeeds by being neat looking more than interesting. Ray Olson
Copyright © American Library Association. All rights reserved

About the Author

Doug Chiang served as the concept artist for Lucasfilm on Star Wars: The Force Awakens and the subsequent films in the franchise. Chiang was the design director for the earlier Star Wars movies The Phantom Menace and Attack of the Clones and also contributed to the Industrial Light and Magic films Terminator 2 and Forrest Gump.
Orson Scott Card is the author of the Hugo and Nebula award-winning books Ender's Game and Speaker for the Dead, in addition to all of the books in the Enderverse series. His other science-fiction stories include The Tales of Alvin Maker.
Gareth Edwards is a director, screenwriter, cinematographer, production designer, and visual effects artist. He is best known for directing the 2014 version of Godzilla and the upcoming film Rogue One: A Star Wars Story.

Most helpful customer reviews

6 of 27 people found the following review helpful.
what's the fuss?
By chris romano
I don't know what the fuss is about. This book is a story with pictures, with more prose than imagery. The artwork is okay, but it's nothing spectacular. I was mistaken in thinking this book would be filled with exciting robot designs...it's not. The designs aren't particularly inspired, stylized, or dynamic. I would go so far as to label them "dated", but not in some kind of interesting retro sense.
I'd give the imagery a B+. However, there's not enough of it either, which adds to my disappointment. It's too bad this expensive hardcover wasn't more of a softcover graphic novel. More pictures would have made it more satisfying.
I realize I'm being somewhat unfair. I didn't bother reading it. I'm not going to. I don't care enough and find the overall presentation a bit dull. And the retail price, I think, is absurd for what you get.

0 of 0 people found the following review helpful.
So much promise, so little result.
By Sean Martin
While the illustrations are individually quite lovely, after a while they start to betray some sloppiness on the part of the artist. But the real horror here is Card's laughable text, which seems at best a first draft tossed off after a long weekend. It is the sort of writing that makes one wonder what a *real* author could have done, as this is quite plainly little more than a wannabe film scenario.

To call this disappointing is an understatement.

15 of 16 people found the following review helpful.
Robota
By Mary Berry
Incredible and thought provoking.

Robota is a very refreshing take on some common sci-fi themes. At first, I thought I had already read this story - after all how many different variations can you do on a killer robot theme? But I was pleasantly surprised. This is a love story, albeit a strange love story, and a tale of revenge.

Chiang's beautiful paintings perfectly compliment the text. These paintings remind me of Hiyao Miyazaki's work and really elevates the book far beyond a mere graphic novel.
The story, crafted by Chiang and written by Card, flows off the pages. Each page left me wanting more. The story starts out rather conventionally with a hero without memory trying to recover his past, but from there the plot takes some interesting turns. The introduction of bizarre 'smart' dinosaurs about mid-way into the book was especially tantalizing. And the really neat part about Robota is that the robots are not dumb carbon copied machines but robots with distinct personalities. How cool. In fact, most of the characters are atypical and well portrayed. The tortured past of the hunter warrior named Juomes, is very sad and even the villain Kaantur is sympathetic - that's a testament to Card's writing skills that he can redeem a vile character like Kaantur.
To the casual reader these characters may at first seem like cookie cutter types but the story uncovers hidden motives and dark secrets that make them interesting and real. Be forewarned though that there is a lot of information in this book so a second read may be necessary (and well worth it). The only fault, if it can even be considered one, is that this book should have been twice as long!
This is an exceptional book - pure eye candy for the mind and thought provoking for readers who want more depth in what they read. Check it out!

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Jumat, 21 Mei 2010

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Manual de Gimnasia Artistica Femenina (Spanish Edition), by Colin Still

  • Sales Rank: #6324424 in Books
  • Published on: 1998-09
  • Original language: Spanish
  • Number of items: 1
  • Binding: Paperback

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Rabu, 19 Mei 2010

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  • Sales Rank: #14776605 in Books
  • Published on: 1973-08
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 296 pages

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Senin, 17 Mei 2010

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Paul Gambaccini was arrested in the dead of night in October 2013. Possessions confiscated, smeared in the press and rendered unemployable, Gambaccini was forced to pay tens of thousands of pounds in legal fees without an income.For a year he was repeatedly bailed and rebailed, often learning of new developments in his case from the media furore that surrounded him.Finally, inevitably, he was exonerated and added to the ever-growing list of celebrities falsely accused of historical sexual abuse.Love, Paul Gambaccini is the full, unflinching story of the witch-hunt Gambaccini endured during those twelve horrific months as part of Operation Yewtree. Drawing strength from family and friends, he vowed to keep a journal during his ordeal, writing every day until his case was dismissed. The result is not only a searing account of how it felt to have the full weight of the state brought to bear on him; it is also an urgent, rallying call to arms to all those who care about the quest for justice.

  • Sales Rank: #2378072 in Books
  • Published on: 2015-09-11
  • Original language: English
  • Dimensions: 9.45" h x 1.38" w x 6.38" l, 1.30 pounds
  • Binding: Hardcover
  • 400 pages

Review
"Paul has been my friend for over forty years. He is a brilliant and honest individual who suffered demoralising and unnecessary anguish. This book more than puts the record straight. Read it and get very angry!" Sir Elton John; "An important and ultimately inspiring book that forces us to imagine how we might have responded in the face of such a nightmare." Stephen Fry; "Paul Gambaccini was tested almost beyond endurance by false allegations, and his account exposes the cruelty that is inflicted when the legal system is captured by populist sentiment. His account is a timely reminder that past wrongs are not made right by creating witch hunts." Helena Kennedy QC

About the Author
Paul Gambaccini is the only broadcaster to have had his own series on BBC Radio 1, 2, 3 and 4. He has also had shows on Classic FM and Capital Radio. His thousands of television appearances include regular slots on BBC 1 and 2, ITV, Channel 4 and Sky. A former contributing editor of Rolling Stone, he was a founding co-author of The Guinness Book of British Hit SinglesAn American by birth, Paul came to Britain to attend University College, Oxford in 1970. He took UK citizenship in 2005. Paul has been named Philanthropist of the Year and is in both the Radio Academy Hall of Fame and the British Softball Federation Hall of Fame. He lives in London with his husband Christopher.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great book about an innocent man surviving the abusive justice system of England 2013.
By Boy Finite
A great book about what it's like to be innocent and on the wrong side of the law in England. Who knew that England had such a backward system of justice? I can understand how this could have been written 200 years ago in Russia, but not today in England! Many a man would have been ruined by the experiences Mr Gambaccini had to endure. Who says gay men aren't brave!

1 of 1 people found the following review helpful.
The narrative is overlong and the name-dropping is unnecessary, however I am giving it 5* because of ...
By adrian bernard churchward
The narrative is overlong and the name-dropping is unnecessary, however I am giving it 5* because of its importance to all of us who like to believe that our law enforcement agencies carry out their investigations in a fair (to accuser and accused) and unbiased manner. Nothing could be further from the truth in the case of Paul Gambaccini.

This book is a damning indictment of the way the Metropolitan Police (Met) and the Crown Prosecution Service (CPS) conducted themselves in their investigations of Paul Gambaccini in respect of two alleged historical sexual offences.

Several extremely worrying issues about the motives and mind sets of these two institutions stand out:

1. Liz Kershaw of the BBC was asked by the Met if she would like to make an accusation against Dave Lee Travis (also being investigated for alleged historical sex offences).
'No,' she replied. 'Don't you need evidence?'
'No,' she quoted the Met officer as saying. 'We only need people who agree.'
(see page 59 of the hardback version).

2. When Jim Davidson asked one of his interrogating police officers what lay behind the witch-hunt [of celebrities], the officer replied that the police had been ordered to treat all allegations as true "unless proved otherwise". (page 334).

3. The Met phoned Sandi Toksvig and asked her if she would like to complain about anybody. (page 348) Anybody?!

4. When the Met handed the file to the CPS in September 2013, seven to eight weeks before Paul Gambacinni's arrest, the police thought there was only a 3 to 5% possibility of a conviction - (so why hand the file to them?) yet the CPS went ahead with sanctioning the arrest and, without any further (allegedly incriminating) evidence coming to light, the CPS and the Met worked together to "sentence" Paul Gambaccini to a series of periodic rebailings until 10 October 2014 i.e. one year later, when they decided to take no further action, but failed to tell him why.

As a lawyer myself, and also a novelist interested in human rights, I find it difficult to distinguish between the insidious behaviour of the Met and CPS on the one hand and Senator McCarthy's witch-hunters of the 1950s on the other. In both cases, wholly innocent people suffered great psychological trauma, if not physical deterioration, devastating financial losses and the inevitable character assassination from the "no smoke without fire" mob.

As Keith Vaz MP, Chairman of the Home Affairs Committee, said in March 2015, after considering Paul Gambacinni's treatment and that of others:

'A reform of police bail is long overdue. The police only need to have reasonable suspicion that an offence has taken place to arrest someone. It is unacceptable that, even with little evidence, people can be kept on bail for months on end and then suddenly be told that no further action will be taken against them without providing any information as to why. Paul Gambaccini was left in limbo for what he described as "twelve months of trauma", his life was put on hold, his employer [BBC] stopped his contract and his [apparently irrecoverable] costs from lost earnings and legal fees totalled £200,000. The CPS should write and apologise to Mr Gambaccini, explaining why the case took so long when the original police investigation was dropped for insufficient evidence a month before he was even arrested. They must do so in other similar cases.' (pages 413/4).

Sexual abuse, whether current or historical, is a wicked act and it must be investigated without fear or favour. But such investigations must be carried out in accordance with the most basic principles of the rule of law e.g. a person is innocent until proven guilty and should not be held on indeterminable bail while the investigative authorities undertake fishing expeditions.

The conduct of the Met and the CPS detailed in this book leaves a very nasty taste in the mouth and they should be called to account.

0 of 0 people found the following review helpful.
A friend of mine who knows Paul Gambaccini told me ...
By Peter Smith
A friend of mine who knows Paul Gambaccini told me she thought he was a bit crazy because he reacted so passionately to his treatment by the London police. When you read this book you will find out just how justified he was. Read, mark, learn and inwardly digest this very very important narrative.

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Minggu, 16 Mei 2010

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  • Sales Rank: #2905519 in Books
  • Published on: 2008
  • Binding: Loose Leaf

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1 of 2 people found the following review helpful.
overall good
By A Customer
The class is Business Information Systems. Generally speaking, this textbook is easy to read and follow. The feature that I liked best is the difinitions in bold print. This makes it easier to study, to hit the main points for reviewing. The price of the book is high, considering it is one semster class. I plan to keep my book, because I am planning to attend Grad School, and have to take a class like the one. The textbook is written in large print for most people to read, and written in a way most can understand and follow. The hard concepts are explained and charted in a well thought out manner. My major of study is Marketing, so this book did not influence my career choice, but will come in handy working with the software. One thing that I realy enjoyed reading were the Real World Cases.

0 of 0 people found the following review helpful.
The book worked for my class.
By av8tormech
The book worked just fine for my 9 week class. The information was useful and the book is laid out well.

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The African Predicament and the American Experience: A Tale of Two Edens, by Ali Mazrui

Mazrui examines the importance of Africa―historically, culturally, and economically―in the development of the West, particularly the United States. And he contrasts this demonstrable importance with the combination of neglect and malice directed at Africa and those of African descent by the West and by the United States in particular.

As Mazrui illustrates throughout, this is a tale of two Edens: Africa as the Eden of Lost Innocence and America as the Eden of Current Power and Future Fulfillment. People of African ancestry have been part of the vanguard for the Edenization of America. But America is also influencing the first Eden: Africa. America is a major force in the liberalization of black people in Africa; and black people are a major force in the democratization of all people in America.

  • Sales Rank: #3901875 in Books
  • Published on: 2004-03-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .38" w x 6.14" l, .77 pounds
  • Binding: Hardcover
  • 136 pages

About the Author

ALI A. MAZRUI is Albert Schweitzer Professor in the Humanities and Director of the Institute of Global Cultural Studies at Binghamton University, State University of New York. He has published more than twenty books, and he has written extensively for magazines and newspapers around the world.

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Africanist
By Amad Shakur
Mazrui is perhaps the most original and creative writer/ scholar on African history. He is well ahead of the curve and holds such valued insights into global issue pertaining to people of African descent. Mazrui is in a class by himself.

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  • Sales Rank: #1166627 in Books
  • Published on: 1971
  • Binding: Paperback

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This is a book for those who have come to Japan to stay for some period of time. It is not a book for the packaged tourist who will be in and out within a few days, but even such a tourist, when facing some unexpected and serious problem, would find help here. Bi-lingual so that both an English-speaking person and a Japanese will be able to communicate and understand.

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  • Sales Rank: #3011759 in Books
  • Published on: 2008-03-15
  • Ingredients: Example Ingredients
  • Binding: Paperback
  • 370 pages

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9 of 11 people found the following review helpful.
The one and only book for starting a life in Japan!
By Jennifer Beamer
If you are interested in living in Japan, this is the book for you.
I have lived and worked in Japan several times over the past ten years, and I wished I had this book.

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  • Published on: 1600
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