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"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."―Ang Lee, from Speaking in Images
Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and international cinema. Michael Berry's discussions with such directors as Ang Lee (Crouching Tiger, Hidden Dragon), Zhang Yimou (Hero), Chen Kaige (Farewell My Concubine), Stanley Kwan (Lan Yu), Tsai Ming-Liang (Vive l'Amour), Edward Yang (Yi Yi), and Hou Hsiao-hsien (Flowers of Shanghai) offer an eclectic and comprehensive portrait of contemporary Chinese cinema.
In interviews that capture each filmmaker's unique vision, the subjects discuss their formative years, the ideas and influences that shaped their work, film aesthetics, battles with censors and studios, the mingling of commercial and art film, and the future of Chinese cinema in a transnational context. Berry's introduction to the collection provides an overview of Chinese cinema in the second half of the twentieth century, placing the directors and their work in a wider historical and cultural context.
- Sales Rank: #260130 in Books
- Published on: 2005-10-05
- Original language: English
- Number of items: 1
- Dimensions: 8.94" h x 1.18" w x 6.16" l, 1.68 pounds
- Binding: Paperback
- 568 pages
Review
Speaking in Images, by Michael Berry, is engaging... It is refreshing to read artists talk about their work and medium.
(Malcom Parker Pots.com)Berry's questions are intelligent... they illicit intelligent, detailed answers...useful to anyone seriously interested in world cinema...Essential.
(Choice)[Speaking in Images] should be required reading for anyone seeking to understand the complexities and power of contemporary Chinese Film.
(Mingwei Song China Review International)Speaking in Images is an excellent, even essential resource for anyone interested in the past, present, and future of these three important Chinese film industries.
(Ethan de Seife Film International) Review
These interviews are a revelation... engaging, hard-hitting, informative, and entertaining. Michael Berry has trotted the globe, done much homework, and asks fruitful questions. This volume will become a key text for classes in Chinese cinema in American colleges. It will also be an immensely useful guide for film critics, scholars, and historians.
(Ban Wang, author of Illuminations from the Past: Trauma, Memory, and History in Modern China)Speaking in Images is at once an impressive introduction to who's who in Chinese cinema, a revealing glimpse into Chinese filmmaking history, and the kind of conversation that you don't want to end.
(Bill Kong, producer, Hero, Crouching Tiger, Hidden Dragon, and Springtime in a Small Town)Chinese-language filmmaking has entered a new era. Michael Berry's unique access to filmmakers and his deep knowledge of Chinese culture and film history have yielded probing, insightful portraits of major creative figures. From Beijing to Hong Kong, from Shanghai to Taipei, these directors are creating today's most exciting regional cinema.
(David Bordwell, author of Planet Hong Kong: Popular Cinema and the Art of Entertainment)Speaking in Images gives you the stories of individual artists, articulating their own perspectives toward their art, their working methods, their inspirations, the problems they've encountered. It also provides a marvelous portrait of not one but three societies―mainland China, Hong Kong, and Taiwan
(Martin Scorsese from the foreword) About the Author
Michael Berry is assistant professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the translator of To Live by Yu Hua, Nanjing 1937: A Love Story by Ye Zhaoyan, and Wild Kids: Two Novels about Growing Up by Chang Ta-Chun.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Comprehensive look at Chinese auteurs
By N. Cai
Fascinating interviews from virtually every prominent Chinese director working today, including Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Ang Lee, Hou Hsiao-hsien, and Edward Yang. Although, curiously, missing perhaps the most influential and "hip" auteur of all, Wong Kar-wai, it also includes some young up and comers like Jia Zhangke, Zhang Yuan, and Li Yang. The question and answer sessions, conducted by the author over the past several years from around the world, ranging from their home turfs to various promotional visits in New York, etc, show detailed research and preparation aforehand. The interviews delve into the personal histories of the filmmaker to see what cultural and historical experiences, especially during their adolescence and developing years, influenced their works (eg. parents dying during Mao's Cultural Revolution, social turmoil during the Taiwanese revolts against Nationalist hegemony). Interviews then follow into their filmographies, with their key works (eg. Tian Zhuangzhuang's "Horse Thief", Edward Yang's "A Brighter Summer Day") questioned in depth.
The filmmakers were usually very forthcoming about their works, such as the effect of censorship by the government, regrettable choices in project selection (eg. Chen Kaige's foray into Hollywood with "Killing Me Softly"), and the difficulty in trying success in Asia with the poorly developed distribution system and rampant piracy. Extensive bibliographies following each chapter offer more analysis if the reader is interested. Overall, a comprehensive and illuminating look into the minds and works of the most prominent auteurs in and around China.
Those interested in the prominently featured "Fifth Generation" may want to take a gander at Memoirs from the Beijing Film Academy: The Genesis of China's Fifth Generation (by Zhen Ni).
1 of 1 people found the following review helpful.
Great!
By Q. Mason
This is exactly what I needed for my film class, but it was in such remarkable condition! When they say "Like New" they mean exactly that! Thanks.
0 of 0 people found the following review helpful.
It's a great book for looking at the different directors
By Amazon Customer
I ended up not using this very much for the class. It's a great book for looking at the different directors, but the interviews try to lump all of their work together which is hard to generalize. I preferred the book I had that focused on individual films. But even though it didn't fit exactly what I needed, it's still a great book.
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