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Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras, by Kurt Lancaster
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With the next generation of raw cinema cameras you can finally shoot professionally with uncompressed raw motion pictures―without compromising your image or your budget. In Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras, Lancaster takes you through the birth of these new cameras and includes an exclusive behind-the-scenes look at Digital Bolex. He field tests each camera and discusses the importance of shooting in raw and guides you through the raw color grading process so you can create stunning films. Interviews with professionals who have shot documentaries, shorts, and promotionals with these cameras are featured throughout, allowing you to learn field production techniques under real world conditions.
FEATURES:
- Behind-the-scenes case studies for the next generation of low budget cinema cameras
- Recommended gear lists to begin your raw shooting experience
- Full color post workflows that help you realize your boldest cinematic visions
- A companion website (www.kurtlancaster.com) featuring raw projects covered in the book; video interviews with the creators of the Digital Bolex, Joe Rubinstein and Elle Schneider; and resources for further study of raw cinema
- Sales Rank: #1570338 in Books
- Published on: 2014-05-06
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .60" w x 7.30" l, 1.37 pounds
- Binding: Paperback
- 230 pages
Review
"Lancaster's Cinema Raw provides a great overview and history on the recent but densely complicated process of raw video shooting and capture."
- Jon Yi, 16mm and digital cinematography professor at New York University's Tisch School of the Arts, www.jonathanyi.com
"Cinema Raw is essential for educators, students, and practitioners who want to understand new technologies and how to harness them for the kind of quality in our filmmaking that, until recently, was just a dream for those without the backing of millions of dollars in production support."
-Ellen Spiro, documentary film professor at the University of Texas, Austin; winner, The National Board of Review for Body of War; www.spirofilms.com
"Kurt Lancaster gets you where you need to be so you can make this incredible but complicated recording format work for you. He also tells you why it’s not for every job. With the essential knowledge found in Cinema Raw you will save hours, days, and possibly weeks of your time."
-Philip Bloom, filmmaker, www.philipbloom.net
About the Author
Kurt Lancaster earned his PhD from New York University and has shot documentaries that have screened nationally and internationally. He is the author of DSLR Cinema and has consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training their print journalists in video journalism, and he has shot and edited documentary journalism pieces. He is an associate professor of digital filmmaking in the School of Communication at Northern Arizona University, where he teaches courses on documentary and multimedia journalism.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Repetitive, and points you towards blogs for the really useful information.
By charleshaine
This book reads more like marketing materials than being an actual helpful textbook. While some of the story of how certain camera's came to market is interesting, it's largely repetitive and includes rambling interviews with filmmakers who all repeat many of the same things as each other. Everyone seems to think these camera's are "full of intangible filmic qualities," a phrase I started to skim. The sample images don't always demonstrate what the description claims they demonstrate, and are too small when they do, and the book wanders off on tangents that don't support actually helping a fiilmmaker understand the benefits of shooting on a RAW camera. The very helpful chapters are mostly lifted from other peoples blog posts, and while credit is given, it leaves you wondering why you are reading it in a book when you could just go to the blog and see embedded video clips along with the article.
1 of 1 people found the following review helpful.
A History of Raw Cameras
By Troy D. Turner
Very interesting book covering the advances in raw cinema cameras over the last few years.
I was a little disappointed. I thought that it would discus color grading from log perspective. It does talk about grading but only in a very general way. Certainly not an in depth color grading manual. More so a history textbook.
A great read though, especially if you are new to raw 12 bit cameras.
But if your looking for color grading theory, check out books by Alexis Van Hurkman.
0 of 0 people found the following review helpful.
This book is worth the read.
By Ed
Very good book. It reads allot like a digital billed sales brochure, however, it did sell me on the camera. I own 2 BMCC 2.5K cameras and 1 Blackmagic Pocket Camera and this book helped me gain more confidence in my choice of using these cameras. The RAW power is what I've wanted to harness more and this book was more confirmation and a guide for going forward with CinemaDNG, rather than worrying about needing to buy or rent a RED or an Alexa to get the results in wanting when the budgets I'm working with don't really support the cost of those cameras. Now after reading the book, I'm even more convinced that the CinemaDNG format may yield better results for larger budget projects than other ULTRA HD formats. And, the Digital Bolex cameras are definitely on my radar now.
This is a great book for novice and pro. It has something everyone can use and the ebook is great because it offers direct links to sample videos and interviews.
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