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The Book of Disquiet (Serpent's Tail Classics), by Fernando Pessoa
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Sitting at his desk, Bernardo Soares imagined himself free forever of Rua dos Douradores, of his boss Vasques, of Moreira the book-keeper, of all the other employees, the errand boy, the post boy, even the cat. But if he left them all tomorrow and discarded the suit of clothes he wears, what else would he do? Because he would have to do something. And what suit would he wear? Because he would have to wear another suit.
A self-deprecating reflection on the sheer distance between the loftiness of his feelings and the humdrum reality of his life, The Book of Disquiet is a classic of existentialist literature.
- Sales Rank: #507127 in eBooks
- Published on: 2010-12-09
- Released on: 2010-12-09
- Format: Kindle eBook
From Publishers Weekly
A better title might be The Books of Disquiet . Each entry in this fictional diary of one Bernardo Soares represents an attempt to create a distinct biography, for Soares lives according to the maxim: "Give to each emotion a personality, to each state of mind a soul." Through every rumination he records Soares longs to father someone because he is "nobody, absolutely nobody." His monotonous work as a bookkeeper in a Lisbon office and his solitary, celibate existence have contributed to the dissolution of his identity. Yet this grants him the ultimate imaginative freedom: "Because I am nothing, I can imagine myself to be anything." One effect of this freedom is a sense of exhaustion before the sheer number of possibilities for being. Another is a sense--at once paternal and disturbingly erotic--of intimacy with the whole human race. Of sleep Soares muses: "When someone sleeps they become a child. . . . I experience an immense, boundless tenderness for all of infantile humanity." More elegantly translated here than in the recent Pantheon edition, this novel presents paradoxes of identity that are more than just an occasion for meditation for Pessoa (1888-1935), one of Portugal's greatest writers and among this century's most enigmatic. They parallel Pessoa's own lived experience. He created several distinct personalities--called "heteronyms"--through which he wrote in an astonishing variety of styles and even in different languages. Soares represents a "semiheteronym," perhaps closest of all to the "real" Pessoa. Whoever Pessoa was, he managed to address through Soares's abstruse, at times excruciatingly precious musings the essential condition of human identity as represented in Western literature. Soares's separation from a common order might be the stuff of tragedy but for the fact that "my self-imposed rupture with any contact with things, led me precisely to what I was trying to flee." For all his quixotic tilting at windmills, Soares admits: "Whenever I see the figure of a young girl in the street . . . I wonder, however idly, how it would be if she were mine." Yet Sancho Panza's suit never hangs on Soares's skinny bones, and this is his dilemma. He is stalled between the poles of tragedy and comedy: "I can be neither nothing nor everything: I'm just the bridge between what I do not have and what I do not want." And herein lies the reason for the multifarious forms of his--and our--disquiet.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Recognized as Portugal's greatest poet since Camoens, Pessoa (1888-1935) wrote poetry under various heteronyms to whom he attributed biographies different from his own. Likewise, this rich and rewarding notebook kept by the solitary, celibate, and semi-alcoholic Pessoa during the last two decades of his life, is written under yet another heteronym (Bernardo Soares), a Lisbon bookkeeper with a position that is like a siesta and a salary that allows him to go on living. Soares knows no pleasure like that of books, yet he reads little. Like Camus, he is irritated by the happiness of men who don't know they are wretched, and his main objective is to perceive tedium in such a way that it ceases to hurt. There are no gossipy details in this heteronymous memoir, only the cerebral workings of a first-rate thinker on the dilemma of life. Full of fresh metaphors and unique perceptions, The Book of Disquiet can be casually scanned and read profitably even at random.
- Jack Shreve, Allegany Community Coll., Cumberland, Md.
Copyright 1991 Reed Business Information, Inc.
Review
In a time which celebrates fame, success, stupidity, convenience and noise, here is the perfect antidote -- John Lanchester Daily Telegraph A meandering, melancholic series of reveries and meditations. Pessoa's amazing personality is as beguiling and mysterious as his unique poetic output -- William Boyd Disturbs from beginning to end... There is a distinguished mind at work beneath the totally acceptable dullness of clerking. The mind is that of Pessoa. We must be given the chance to learn more about him -- Anthony Burgess Observer A complete masterpiece, the sort of book one makes friends with and cannot bear to be parted with. Boredom informs it, but not boringly. Pessoa loved the minutiae of what we care to deem the ordinary life, and that love enriches and deepens his art -- Paul Bailey Independent The very book to read when you wake at 3am and can't get back to sleep - mysteries, misgivings, fears and dreams and wonderment. Like nothing else. -- Philip Pullman Fernando Pessoa was simply one of the best 20th-century writers ever... captivating... a series of beautifully wistful reminiscences, diary entries ad aphoristic snippets... an accessibly slimmed down and beautifully translated version of this great classic and we recommend it like crazy. Pick one up and open it anywhere and we promise you'll be richly rewarded. -- Stuart Hammond Dazed and Confused To read and then contemplate him is to be lifted a little bit above the earth in a floating bubble. One becomes both of the world and not of it. There's no one like him, apart from all of us. -- Nicholas Lezard Guardian An odd, occasionally exasperating and sometimes beautiful book and one that will be your friend at 3am on a sleepless night. -- Sophia Martelli Observer
Most helpful customer reviews
43 of 46 people found the following review helpful.
A beautifully fine and unique book
By A Customer
Pessoa was a true acrobat of the imagination. The Book of Disquiet is a collection of epiphanic journal or diary prose kept by Pessoa and found decades after his death. The prose is truly some of the most gorgeous musings about everyday life and existence that any reader could ever find. The poet's world is laid out exquisitly and paradoxically for the entire benefit of those who read.I can't say I've ever found such beauty in the pages of a book before. If you like literature albeit simple or complex this book is something that you will immediately cherish for a very long time.
37 of 39 people found the following review helpful.
try zenith instead
By john st. taw
I find the Richard Zenith translation to be much more lush and lyrical than Margaret Jull Costa's:
The Book of Disquiet (Penguin Classics)
That being said, translation is an art of interpretation; this has some of the same syntactical constructions found in her Saramgo work (excellent, by the way) that don't work quite as well with Pessoa lexical peculiarities.
38 of 42 people found the following review helpful.
a great, neglected writer
By A Customer
I first read of Pessoa in Geoff Dyer's biography of Lawrence. The Book Of Disquiet is genuinely original. In it Pessoa expounds his notion that a human being consists of several sensibilities irreconcilable with one another. For each of the individuals comprising Pessoa, Pessoa coins an appropriate (though not epithetic) "heteronym," of which there are more than a few. Pessoa regards the notion of a coherent personality--rather than a committee of warring selves--as an invitation to ignore any experience that does not easily consist with our notion of own characters, and thus an invitation both to dishonesty and to the rejection of experience. In this he is very close to the Buddhist notion that the Self is a fictional solidification of that which is eternally in flux. Pessoa has an uncanny intimacy with his own self and a very deep and moving commitment to the experience of being himself. This is a remarkable, deep, wise book.
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